Johnny Cash Laid to Rest Johnny Cash was laid to rest Monday, September 15, 2003 following a two-hour funeral service that drew mourners from far and wide. More than a thousand people filled the church in Hendersonville, the town north of Nashville that Cash. One Of The 20 Blues MIDI Tunes Embedded In This Page Should Automatically Start To Randomly Play In The Above Player As You Access This Page And After You Play Any Other Tunes On This Page. To Change Tunes In The Above Player Hit Your. AMY GOODMAN: Today, we pay tribute to Yip Harburg. His name may not be familiar to many, but his songs are sung by millions around the world, like jazz singer Abbey Lincoln and Tom Waits, Judy Collins, and Dr. John from New Orleans, Peter Yarrow, that’s. Charlie Mariano Tribute, Biography. Charlie Mariano meets pianist (born Peter Albrecht) from Hungary at . Pete Andrews introduces him to the cycle of fifth. There are two dance clubs at Ort's Grill: the . That's something different than playing standards. Now he's to play changing arrangements at sight. This page is dedicated to all alumni of Claremont High School who served in the Armed Forces with all our thanks and deepest respect for your service. We invite you to send in your stories and photos. We are honored to post those items on this page. Patricia Bosworth’s biography is very good. And in re: Elvis, no, not really. Elvis was 100% expressive, not repressed. Montgomery Clift’s gift came from the sense of how much he was repressing. That’s why he played torment to well. Although his performance in. Celebrity and movie star interviews. Last udpated: October 8, 2016. Drummer Al Orlandi remembers: . Both of us were just 1. We had been booked by Duke Davis. I think his son Jerry is still in the business. The Ort's was a dining and dancing club frequented by a lot of soldiers. It had a worldwide reputation during the war. It was a pretty wild place with five bands, and a lot of female singers and shows. Nonstop program from 1pm to 1am. We played on the upper floor, at El Tropico which should've been the more elegant room. Seven nights plus starting at 1pm on Saturday and Sunday. Payment was tough, too. But all of us were happy to be able to play. We played songs like 'Body And Soul', 'Confessin', 'Sweet Georgia Brown', 'Talk Of The Town', 'I've Got Rhythm', 'Lady Be Good', 'Blue Skies', 'Sweet Lorraine', to name just a few. Charlie and I played some dance music between the shows. Pete Andrews was in charge of the band and the shows at the El Tropico which was smaller and more intimate than the Izzy's in the basement. This place was pretty large, almost a quarter of the whole block. Pete Andrews, an immigrant from Hungary, was a concertmaster playing the piano, and rarely leaving the stage. Duke Davis sent the musicians without auditions, but Pete Andrews was entitled to make changes and to request replacements. Actually he never chose any musician himself, Pete was a real gentleman who took the musicians under his wings, teaching theory for free at his home. Charlie Mariano was very ambitious from the very beginning. He used every free minute to write down standards, and to get the chance to sit in with the main band which was a black band. He was heavily influenced by black musicians even with regard to his behavior and dress style. The ladies did like Charlie. He was an attractive guy with dark, waved hair. But his main interest was music. We worked together for three months. It's been a great time. Folks like Sam Donahue, Nat Pierce, Ruby Braff, Leon Merian, George Wein, etc. When I met Charlie in front of Ort's he wore a coat (I think it was a beige camel hair coat) a stylish cap, and he wore a scarf around his neck. Very impressive, that's the reason I can remember that so well after all those years. Please don't ask me what I wore at that time. I never had any great times. I played the drums in Boston and the surroundings, and in the army — up to the '5. Your mouth is open about everything you're going through. It is a great experience developing as a musician. I took 1. 0 subjects a day, from ear training to arranging, to orchestra laboratory. Herb Pomeroy and Charlie Mariano were students then too. In order to afford tuition, I had to play at a place called Izzy Ort's, which was a real dive down in Boston's 'combat zone.' It was funky down there. I worked with Preston Sandiford, a pianist and arranger, and an alto player named Bunny Campbell. They were very good musicians and were influential in my musical development. They play the same music, but they swing harder, the rhythm pulses with more drive, there is just more soul in their playing.
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